Madonna and Child
Madonna and Child, ca. 1350
Tempera and gold leaf on panel
29 1/2 × 19 in. (74.93 × 48.26 cm)
Purchase, Myron and Elizabeth P. Laskin Fund, Marjorie Tiefenthaler Bequest, Friends of Art, and the Fine Arts Society; and funds from Helen Peter Love, Chapman Foundation, Mr. and Mrs. James K. Heller, Joseph Johnson Charitable Trust, A. D. Robertson Family, Mr. and Mrs. Donald S. Buzard, Frederick F. Hansen Family, Dr. and Mrs. Richard Fritz, and June Burke Hansen; with additional support from Dr. and Mrs. Alfred Bader, Dr. Warren Gilson, Mrs. Edward T. Tal, Mr. and Mrs. Richard B. Flagg, Mr. and Mrs. William D. Vogel, Mrs. William D. Kyle Sr., L. B. Smith, Mrs. Malcolm K. Whyte, Bequest of Catherine Jean Quirk, Mrs. Charles E. Sorenson, Mr. William Stiefel, and Mrs. Adelaide Ott Hayes, by exchange M1995.679
Photo credit: Marco Grassi Gallery, New York
Following the bubonic plague outbreak in Florence in 1348, a renewed religious conservatism marked the general atmosphere and the next generation of artists. Nardo di Cione and his two brothers were among the leaders of this medievalizing style, which harked back to models of presentation antedating the naturalistic and humanistic innovations of Giotto. The enduring, iconic quality of Nardo’s Madonna and Child is a product of his interpretation of the Virgin as the Queen of Heaven, set against an abstract and timeless gold background in the Byzantine tradition. The artist’s own lyricism is evident in the delicate skin tones, rhythmic and ornamental draperies, and rich, saturated palette. The painting likely served as the central panel of a small folding altarpiece.
Sawinski, Catherine. From the Collection--Virgin and Child by Nardo di Cione. Milwaukee Art Museum: Under the Wings, December 17, 2013. http://blog.mam.org/2013/12/17/from-the-collection-virgin-and-child-by-nardo-di-cione/.
Andera, Margaret, Nonie Gadsden, Britt Salvesen, and Laurie Winters. Collection Guide: Milwaukee Art Museum. Milwaukee, Wisconsin: Milwaukee Art Museum, 2004, pp. 12 and 67 and back cover, cat. 8, color illus. p. 12 and back cover.
Milwaukee Art Museum. Building a Masterpiece: Milwaukee Art Museum. New York: Hudson Hill Press, 2001, p. 59, color illus p. 58. (image reversed)
Milwaukee Journal Sentinel, December 19, 1995, p. 8B, illus. Cue Section p. 1.
Sotheby's, July 10, 1968 [auction catalogue]. London: Sotheby's, 1968, p. 24, lot 27, b/w illus. p. 25.
Offner, Richard. A Critical and Historical Corpus of Florentine Painting. Section IV, vol. II. New York: College of Fine Arts, New York University, 1960, p. 83–84, pl. XXV (as Following of Nardo di Cione).
Recent Acquisitions, Milwaukee Art Museum, June 7–August 18, 1996.
This information is subject to change as the result of ongoing research.