Margaret, Lady Tufton
Margaret, Lady Tufton, ca. 1632
Anthony van Dyck, the most talented member of Rubens's workshop, spent six years in Italy, and four in Antwerp, before settling in the spring of 1632 in London, where he worked as court painter to Charles I. He spend the following nine years primarily in London, occupied almost entirely with court portraits. Van Dyck's elegant portrayals of Charles I have helped immortalize the king's reign and provided posterity wiht a vivid picture of the English aristocracy of his time. This painting has recently been identified as Margaret, Lady Tufton (1617-before 1657), the granddaughter of the diplomat and court official Edward, 1st Baron Wotten and the first wife of Sir John Tufton. The original painting by Van Dyck is untraced, but many versions by Van Dyck and his studio are known, including another example at Blickling Hall in Norfolk, England.
Sawinski, Catherine. From the Collection--Margaret, Lady Tufton by Anthony Van Dyck and Studio. Milwaukee Art Museum: Under the Wings, February 22, 2013. http://blog.mam.org/2013/02/22/from-the-collection-margaret-lady-tufton-by-anthony-van-dyck-and-studio/.
Barnes, Susan J. Van Dyck: A Complete Catalogue of the Paintings. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2004, p. 641, cat. IV.A36.
Milwaukee Journal, August 25, 1957.
Glück, Gustave. Van Dyck, des meisters gemälde in 571 abbildungen. New York: F. Kleinberger, 1931, p. 572, pl. 466.
Detroit Institute of Art. Eighth Loan Exhibition of Old Masters: Patinings by Anthony van Dyck. Detroit: Detroit Institute of Art, 1929, b/w illus.
Eighth Loan Exhibition of Old Masters: Paintings by Anthony van Dyck, Detroit Institute of Arts, April 3–20, 1929.
This information is subject to change as the result of ongoing research.